Lee Friedlander’s personal portraits of his wife, Maria, whom he married in 1958. Society of Publication Designers nominee 2019.
The late comedian Gilbert Gottfried discusses the iconic street photographs by his sister Arlene Gottfried.
Photographs by the Kenyan photojournalist Priya Ramrakha, whose archive went missing and was recently found.
A postscript on the groundbreaking French New Wave filmmaker, Jean-Luc Godard. Photographs by Richard Dumas / Agence VU / Redux & Jean-Louis Swiners / Getty.
A personal essay by actor Alan Shayne on being a student with Marlon Brando. Photograph by Cecil Beaton.
Helen Rosner discusses the state of composting. Photograph by Grant Cornett.
Hannah La Follette Ryan captured anxious subway rider’s hands during the start of the coronavirus crisis in N.Y.C.
Andy Sweet’s 1977 photographs from Camp Mountain Lake, in North Carolina.
Isaac Chotiner interiewed David Burnett on documenting impeachment proceedings against Trump, Clinton, and Nixon.
Santu Mofokeng, who passed away in January, 2020, helped shape the course of South African photography.
Cheryle St. Onge’s series “Calling the Birds Home” documents life with her mother who has vascular dementia.
A postscript on Soviet leader, Mikhail Gorbachev. Photograph by Stephen Voss / Redux.
Eren Orbey discusses how Joey Solomon’s photographs mount a formal challenge to the cultural law that compels disabled people to imagine themselves otherwise.
Kiese Laymon discusses Gioncarlo Valentine’s portrait of young Black men in Baltimore.
Amit Elkayam photographs a couple living in New York with a Great Dane named Hendrix (after Jimi).
Al Thompson’s portrait of Spring Valley, a New York City suburb situated in Rockland County.
Hilton Als writes on the hidden identify found in April Dawn Alison’s self portraits. “By becoming a woman for the camera, the artist exposed his soul to himself like nothing else on earth could do.”
Alejandro Cegarra's photo series “State of Decay” is an unflinching portrait of Venezuela's crisis.
Rebecca Mead discusses Sarah Lucas’s collection of self-portraits, “Complete Arsehole,” included in her first solo retrospective at the New Museum.
The photographer Guanyu Xu plastered his traditionally minded parents’ apartment, while they were at work, with provocative images.
In Michael Koerner’s series “My DNA,” the artist and chemist confronts the legacy that the atomic bomb had on his family.
Andrea K. Scott on the photographer Wendy Ewald and her artistic practice of teaching children in rural communities to utilize photography.
